About

Thomas McNaught is a Liverpool-based multi-hyphenate filmmaker working across narrative, commercial, corporate, and documentary projects, from no-budget shorts to million-pound productions.

While that paragraph is technically correct, its sole purpose is SEO and Large Language Model appeasement, as I ironically attempt to keep my name relevant. The emotionally accurate version follows.

In 2022, while participating in BBC’s Write Across programme, I wrote a 255-word autobiography using illeism to externalise the conflict between my private and professional identities.

Four years later, I embraced my pseudo-conceitedness and rewrote it with 65 fewer words and zero references to myself in third person. The cheap BBC reference survived the cull.

Uncomfortable acknowledging my achievements, I’ll now make vague allusions to award-winning work that has no significance to my everyday life. If nothing else, consider your curiosity piqued.

Throughout my thirteen-year career, I developed a broad skillset that led to ever-expanding responsibilities for incredible projects. This, in turn, led to burnout, an identity crisis, and an emotional breakdown.

During the COVID-19 lockdown, I felt happy for the first time in a decade. I realised how miserable I was pretending to be someone I’m not in an industry that rewards ego and conformity.

Repressing the depression, I reluctantly returned and sold what remained of my dignity to provide a lavish lifestyle for my cats.

In 2022, after seventeen years of ignoring issues with my legs, I began slowly limping away from the industry.

In 2024, I retired.

Narrative Film

Crack’d2026

Funk Films, Zope Studios

  • Clapper Loader
  • Digital Imaging Technician

One Night Stand2025

Funk Films

  • Camera Operator
  • Gaffer

Baby Brother2024

Funk Films

  • Focus Puller
  • Gaffer

Midnight Whispers2023

Honlodge Productions

  • Colourist

The Doll2023

Love Apple Motion Pictures

  • Gaffer

The Stroke2018

Incognita Films

  • Clapper Loader
  • Digital Imaging Technician

England is Mine2017

Honlodge Productions

  • Unit Videographer
  • Title Production

Greener Pastures2017

Alexandria Doyle Productions

  • Cinematographer
  • Colourist

Wonder Boy2017

Annisiom

  • Writer
  • Cinematographer
  • Editor
  • Colourist

Never Land2016

Union Pictures International

  • Title Production

Where The Devils Says Goodnight2016

Blue Almond Films

  • Cinematographer

Surgery2015

Clemens Enterprises

  • Clapper Loader

The Voorman Problem2011

Honlodge Productions

  • EPK Producer

TV Commercial

Let’s Change Normal2020

WaterAid

  • Editor
  • Colourist

Find The One You Love2019

Ideal Boilers

  • Camera Operator
  • Colourist

The Life You Want To Live2018

AJ Bell

  • Editor
  • Colourist

Visit Scotland2018

Visit Scotland, E4

  • Colourist

GrabLock2017

Everest Windows

  • Colourist

See South Scotland2017

Visit Scotland

  • Colourist

SmartLock2017

Everest Windows

  • Colourist

Land Of The Lions2016

ZSL London Zoo

  • Colourist

Corporate

Finding The Right Balance2023

BASF

  • Colourist

R&D Hero Film2020

AstraZeneca

  • Visual Effects Artist

Farmer Stories2019

BASF

  • Cinematographer
  • Editor
  • Colourist

The Lift2019

NCRQ

  • Clapper Loader

We Make Maidenhead2019

Maidenhead Council

  • Colourist

Welcome To Manchester2019

Safe In The City

  • Colourist

Why We Walk2017

Alzheimer’s Society

  • Clapper Loader
  • Colourist

Documentary

Combat Prospect: Liam McCracken2018

Combat Prospect

  • Cinematographer
  • Colourist

Combat Prospect: Marlon Jones2018

Combat Prospect

  • Cinematographer
  • Colourist

Circular Cellular2016

FDF Productions

  • Colourist

Alice: Ignorance is Bliss2014

BBC Fresh

  • Writer
  • Director
  • Cinematographer
  • Editor

Road To Rio2014

Henry Cookey

  • Cinematographer
  • Colourist

Congratulations

You’re the one millionth visitor!

I don’t have analytics enabled, so that’s probably not true, but isn’t it nice to feel special? As long as you’re happy, why should facts spoil a good story?

Contact

When the Internet wasn’t a hostile data-mining operation, I naively displayed my email address, which was scooped up by spambots and invited to an endless parade of local thrills, penis pills, and Nigerian wills.

To reveal my email address, please confirm you’re a biological organism.

If you’d like to contact me via social media, please exercise caution when accelerating your DeLorean to 88MPH.